About Gemma Bovery

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Screen Of Gemma Bovery

Comment For Gemma Bovery En Entier Film

Name : Mark Jenkins / Alias : NPR
Christophe Beaucarne shoots the countryside, the baked goods, Gemma and Martin's playful dogs, and of course Arterton with sun-dappled rapture. No 19th-century novelist saw the world like this.

Name : Mick LaSalle / Alias : San Francisco Chronicle
Like Chabrol, Fontaine has a way of making you laugh, on an off, for 90 minutes, before leaving you feeling a little queasy from too much truth.

Name : Rex Reed / Alias : New York Observer
A somewhat reserved but sensual and gratifying movie that finds and polishes connections between literature and the screen while further catapulting the wonderful British actress Gemma Arterton several notches up the ladder toward international stardom.

Name : Alonso Duralde / Alias : TheWrap
Underscores the notion that what we're watching isn't merely the life of a complicated woman, but rather the actions and choices of that woman as seen through a man's eyes and a man's judgment.

Name : Kyle Smith / Alias : New York Post
Laden with witty ironies, the film by Anne Fontaine suggests men may not play exactly the roles they think they do in women's lives.

Name : J. R. Jones / Alias : Chicago Reader
This is the first Fontaine movie I've seen that qualifies as lightweight.

Name : James Berardinelli / Alias : ReelViews
A nice little gem for anyone intrigued by the concept of having fun with a giant of 19th century literature.

Name : Sheri Linden / Alias : Los Angeles Times
Fans of "Madame Bovary" might enjoy the chance to nod knowingly at references to the novel, but that's not enough to sustain a feature .

Name : Bilge Ebiri / Alias : New York Magazine/Vulture
After a while, the film feels more like a cute conceit that hasn't really been developed further. It's intriguing, and very well-acted, but empty.

Name : Jordan Mintzer / Alias : Hollywood Reporter
As pure entertainment it certainly does the job, although much of the text's existential weight is lost in the process.

Name : Joe Morgenstern / Alias : Wall Street Journal
The whole contrivance falls flat in the end.

Name : Anthony Lane / Alias : New Yorker
We are offered a handful of sketchy observations on the extent to which art either does or does not mimic life. These are, at best, unchallenging, and would have drawn barks of laughter from the derisive Flaubert.

Name : Alan Scherstuhl / Alias : Village Voice
Anne Fontaine's Flaubert-inspired meta-pleasure Gemma Bovery takes as its subject the act of watching the lives around us - and of wishing those lives were literature.

Name : Jesse Hassenger / Alias : AV Club
Arterton proves again that she has starrier magnetism in movies that slow down enough to appreciate it, even if she winds up as much a symbol as her own person.

Name : Nathalie Atkinson / Alias : Globe and Mail
A transmogrified Flaubert, recast, upturned and rich with observational and satirical contemporary details.

Name : Linda Barnard / Alias : Toronto Star
A tad too slapstick and not nearly modern enough in its social sensibilities to offer a truly updated version of Madame Bovary, Gemma Bovery still has its charms .

Name : Stephanie Merry / Alias : Washington Post
How is it possible that such blatant male wish fulfillment came from a female director and a graphic novel by a woman, writer-artist Posy Simmonds?

Name : Stephen Holden / Alias : New York Times
Think of "Gemma Bovery" as an airy puff pastry, dripping with honey.

Name : Rafer Guzman / Alias : Newsday
The novel, of course, is one of the towering achievements in literature, and this trivial movie has no idea what to do with it.

Name : Jay Weissberg / Alias : Variety
The script flattens the main characters and makes one nostalgic for Flaubert's observational acumen.

Name : Moira MacDonald / Alias : Seattle Times
The scenery's lovely and the bread-kneading surprisingly erotic.

Name : Joe Neumaier / Alias : New York Daily News
Literary obsession proves to be a weak spine for this wry French drama.

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